Today was a long day. My most interesting writings were:
from the LEV list:
> so it is true, there still are people who do genuinely believe in
> society being malleable….
> i’ve always taken that for sentimental gossip…
Gee, you sound like someone who’s too cynical to believe in nihilism…
Pity that.
1. You don’t have to “reform” society – it reforms on a daily basis, it changes all the time. Repetition is a form of change. All you have to do is stand up for something and go for it. But if you twiddle your pomo thumbs you’ll just sit there. Twiddling your pomo thumbs. Also note: 100 years ago cinema was black and white, silent and passive and insanely expensive. Now performance cinema is in colour (often lurid, but that’s another issue) with sound, it’s active, and the means to do it are little more than a keyboard, a laptop, and a projector… Society changes. All the Time.
Also: in the early 1900s there was a strike at a mine in Colorado. People wanted to work only 5 days a week. The governor, who was in the pocket of the mining interests, called out the State National Guard Units and had them move on the camps. they fired into the strikers tents. All the men were at the mine, picketing, so the soldiers shot 24 women and children DEAD.
They died so people in the USA could have a 5 day work week.
There is absolutely nothing sentimental about brutal blind slaughter. People dying in order to change the world is not “sentimental gossip”. The hand wringing attitude that it is such only serves the interests of the likes of the crypto and not so crypto fascists who are presently running things.
2. Performance cinema must stand on its own, claim its own intellectual space, with its own theory and aesthetic. This must be articulated and the articulation must reflect the diversity and complexity of the the source material.
You can either help or hinder. I’d REALLY like it if you could help. I’m running myself broke to put this symposium on – (so far) no company has stepped in to help, no government has squeezed its teat to make this happen. This makes its free and open and very low budget but also of the highest possible integrity and purpose.
3. As performance cinema stands and articulates itself in time, our media culture will be that much more vibrant and interesting, and Bog only knows what will be born from it.
Got a note from Kim Cascone – hope to have lunch with him and his family this coming weekend. It’ll be good to see him.
Completed recording post audio for SEI down at Chris Tann’s digs in S. San Jose. He has a wonderful home theatre set up. Someday I will too…
Elizabeth is in swimming camp this month. She’s a sweetie bump. She showed me how to pronounce Montmartre. It sounded more like MonnnMarrr. God bless the good ship FAIS and all who sail with her.